The work pace on FEATURE FILMS and THEATER are quite different than PRINT. But generally, they utilize the same skills involving wardrobe/props in a variety of different ways.
I have learned the ability to adapt quickly to the changes and responsibilities of FEATURE FILMS and THEATER work schedules and demands, whether it involves working as Designer/Stylist, Costume Supervisor, Onset Costumer, Buyer or Prop Assist.
Onset Costumer for the Great Queen Ann Margaret.
Costume Supervisor onset of "Don't Breathe" adding a pic for wardrobe continuity.
Chief Stylist/Outfit Creator for Main Talent on a Ford Motor Print Shoot.
OnSet Costumer for the film "Sparkle"